Telos Zephyr Xstream Two-Way Radio User Manual


 
USER’S MANUAL
Section 6: AUDIO CODING REFERENCE 109
6 AUDIO CODING REFERENCE
6.1 Introduction to Audio Coding Technology
Introduction
Audiotakesupalotofdata.Justaregularphonecalluses64,000bitspersecond.
Withoutdatareduction,CDqualityqualityaudio16bitsat44.1kHzsampleraterequiresa
transmissioncapacityofabout706thousandbitspersecond(kbps)foreachaudiochannel.But,
thewi
resweuseforremotebroadcastingareonatelephonesystemdesignedforvoicegrade
communications:8bitsat8kHzsamplerate,or64thousandbitspersecond(kbps)perchannel.
That’s11%ofwhatweneed.
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CURIOSITY NOTE!
You can arrive at these same numbers with nothing more complicated than grade-school
math. Just multiply the sample rate by the sample depth: 44,100 samples per second * 16 bits
per sample = 705,600 bits per second for CD-quality mono audio. Multiply by 2 for stereo.
Youcanreducethedatarequirementsbyloweringthequalitysomewhat.13bitswouldyielda
respectable78dBdynamicrange,certainlyadequateforcasualhomelistening.Anda32kHz
sampleratewithcarefulequipmentdesignwillgiveyouflatresponseto15kHz,the
practicallimitforanalogFMbroadcasti
nginNorthAmerica.Unfortunately,thatstillleavesus
withtelephonedatachannelsabout93%toosmalltodothejob.Besides,13bitsisanawkward
bitdepth(resolution)forcomputerstodealwith,andtheaudioitproducesisn’tcleanenough
tosurvivetoday’stransmitterprocessors.
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CURIOSITY NOTE!
Bit depth and sample rate translate easily into audio specifications. Digital audio must have a
sample rate of at least twice the desired bandwidth, so 15kHz audio requires (after a safety
margin) 32kHz sampling.
Each bit of sample depth represents slightly more than 6dB of dynamic range.
ThefirstpracticalcodingmethodsusedaprinciplecalledADPCM,AdaptiveDeltaPulseCode
Modulation.Thistakesadvantageofthefactthatittakesfewerbitstocodethedifference,or